Growing up I was fortunate to have access to my dad’s wonderful Silver Age collection of comics. Also, since I grew up in the 90s, I could pick up relatively cheap back issues from the medium’s second golden age, the 1980s.
As a result I’ve been exposed to some of the real magic of Marvel Comics. Obviously, the stories and artwork is the major draw of their library, but one of the really attractive things about these eras was the infamous Bullpen Bulletins.
In short, the Bulletins were a newsletter inserted into all of Marvel’s monthly titles that talked about the comings and goings of their roster of writers, artists and editors.
Really, it was an invention of editor-in-chief Stan Lee to promote new titles and new talent. The Bullpen Bulletins were always over-the-top and Barnum-esque but it was also entertaining and made you feel like you were right there with your favourite creators.
Marvel discontinued the feature in 2001, and I can’t say that I blame them. After all, the Bullpen itself had been dispersed by the advent of digital technology allowing a lot of freelancers to work from home.
Further, today’s creators are able to float between DC Comics, Marvel, Image, Dark Horse and other publishers, meaning that the esprit de corps that was at the heart of the Bulletins was seemingly at an end.
Twitter has rekindled that sense of camaraderie and taken it to the next level. Instead of getting to read monthly highlights of Bullpen sessions, comic book fans can now follow the jabs, jokes and work of all their favourite creators on a minute-by-minute basis.
The queen of the comics Twitter-verse has to be Gail Simone, the writer of Secret Six and Birds of Prey. She is one of the most active Tweeters out there. One of her regular “features” is to antagonize her fellow comic creators and hilarity often ensues.
Warren Ellis is the author of many books and magazine articles, but is also known for his comics work including Transmetropolitan, Nextwave, Planetary and Hellblazer. His Tweets are jovially cantankerous as he playfully abuses his followers.
A more light-hearted creator is Dan Slott, the current scribe of Spider-Man. He also penned a tragically short-lived run on the Mighty Avengers which recently concluded. He often discusses his writing process and things he loves about his job. It’s a fun read.
One of my favourite comic book writers is Kurt Busiek, the author of the brilliant creator-owned Astro City. He’s done a ton of other work for just about every comic publisher you can name. If you’ve never read it, his run on the Avengers with master illustrator George Perez is some of the best comics work ever.
Brubaker just finished an incredibly strong run on Daredevil and continues to pen Captain America. Fraction is the current mind behind the X-Men, Thor and the Invincible Iron Man. The two collaborated on the Immortal Iron Fist, a joy to read that ended too soon.
There are myriad other creators on Twitter, but these are a few of my preferred feeds. It’s fun and exciting to see the Bullpen continue on, at least in spirit, in the digital age. If you’re a fan of comics, you should try looking up your favourite writer and artist and get to know them just as Stan Lee once envisioned.
Three years ago, as a lark, I challenged my friends, family and co-workers to try and read as many books as they could in a calendar year. The idea was to encourage reading more and better books and broaden literary horizons.
As a group we laid out some general guidelines:
- Reading for work or for school doesn’t count. Books shouldn’t be assigned, but chosen for fun.
- Any book counts, as long as it’s for ages 9-12 or up. This designation was to allow for the Harry Potter books which fall into that age category.
- If you’re learning a new language books written for younger children count too.
- Graphic novels, plays, and poetry all count.
The Book Challenge, as it came to be called, was all about setting reading goals. Most people settled on 50 books per year (a book per week with two weeks of vacation). Smaller goals were also encouraged like “10 of my 50 books will be poetry,” or something to that affect. My personal caveat is that I only count 10 graphic novels per year. Otherwise I'd only read comics.
It’s been a pretty big success, with monthly reads discussed on our Facebook group. (Please, feel free to join!) Most people take it on as a New Year’s Resolution, but we have people coming and going all the time.
In part, the Book Challenge is popular because, unlike a book club, the reading isn’t assigned and you can move at your own pace. Also, it’s reassuring to see other avid readers apologize for not being able to read books for months at a time.
Last year I completed just 29 books, a disappointment since I’d planned on doing a full 50. But now that I’m done school I feel that I can definitely reach that golden mark.
I’m off to a good start as well, getting through four books in the month of January:
- On Writing by Stephen King
- Captain America: Winter Soldier vol. 2 by Ed Brubaker and Steve Epting
- Gretzky’s Tears by Stephen Brunt
- Satchel Paige: Striking Out Jim Crow by James Sturm and Rich Tommaso
Personally, I’ve found that the Book Challenge keeps me focused on maintaining on an ongoing reading list and motivated to keep plowing through it. And as Run DMC said, “From the front to the back, as pages turn, reading is a very fresh way to learn.”
One of my New Year’s resolutions was to read more comic books and graphic novels. Hardly a self-improvement project, I know, but I want to get down with my nerd self.
My first graphic novel of 2010 is Captain America: Winter Soldier vol. 2, allowing me to complete the first story arc of Ed Brubaker’s popular run on one of Marvel Comics’ most recognizable characters.
I’ve never been much of a Captain America fan. I prefer grittier characters like Batman or the Punisher, so his squeaky clean image never appealed to me. And since I’m Canadian, all the patriotic beats were lost on me.
But Brubaker’s Winter Soldier storyline sucked me in. I’d heard that the new Captain America series was going to be bringing back Bucky, a character who had been dead since the end of World War II, and it hooked me.
This was a Big Deal to comic fans. Bucky had been Cap’s 16-year-old sidekick during the war, but was tragically killed when a missile he was trying to disarm exploded in mid-flight. The same incident dropped Cap into the frigid North Sea, freezing him until the 1960s.
The death of Bucky had always been cited as the reason why Marvel’s superheroes don’t have teenaged sidekicks - unlike their DC counterparts - and it added a sense of realism to the company’s mythos.
For Brubaker to be retconning a fundamental element of Marvel Comics seemed like heresy, albeit an intriguing act of rebellion.
Captain America: Winter Soldier Book One and Two brings together issues 1-14 of the fifth monthly series to star Steve Rogers. They revolve around a terrorist attack that was apparently perpetrated by a mythical Cold Warrior known as the Winter Soldier who may actually be Cap’s former partner Bucky.
Resurrection storylines have become commonplace in comics, a constant recycling of characters who had been killed for dramatic effect, only to return. It’s a trend that is holding back a medium that I love. But Brubaker handles the return of the long-dead hero with a deft hand that provides not just a plausible explanation for his survival, but an engrossing story.
Interspersed with action, character moments and plot developments, Winter Soldier begins with Captain America becoming angry and frustrated with the inability of the United States government to attack countries that sponsor terrorism. The detonation of a Weapon of Mass Destruction in Philadelphia leaves a trail that leads to former Soviet general Aleksander Lukin, and his shadowy operative the Winter Soldier.
Even the name Winter Soldier is clever work by Brubaker. It’s a reference to the loyal American revolutionaries who stuck with George Washington over the harrowing winter in Valley Forge, but also to the Winter Soldier Investigation, a Viet Nam era examination of atrocities and war crimes committed by the United States Armed Forces.
Brubaker seamlessly connects the Second World War, the Cold War, modern terrorism and Captain America’s complex continuity. It’s not just that he brings in plot points from every era of Cap’s 70 years of existence, but the pacing and style of the book draws heavily on these aspects of the character’s history.
To me, a classic Captain America story has him and a partner rushing off into danger to stop a catastrophe from befalling the United States or the world. Winter Soldier is no different, with Cap rushing to stop Kronas Corporation with the Falcon riding shotgun.
Steve Epting’s art work in this series is fantastic. I can’t think of a current comics creator who makes better use of inking and colouring techniques. His characters are expressive and natural in conversation, and dynamic and fun during action scenes.
In particular, the way he draws the acrobatic Captain America jumping, rolling and bouncing in fight scenes is thrilling.
Winter Soldier breaks an old comic fan saying: “No one stays dead, except Bucky and Uncle Ben.” The phrase refers to the fact that Peter Parker’s uncle and Captain America’s sidekick must stay dead because their loss is what, in part, forms the hero we know today.
I never thought I’d see the day where that axiom was successfully reversed, but the Winter Soldier saga does it.
The return of James “Bucky” Buchanan Barnes was enough to catch my interest and buy the first volume of Captain America: Winter Soldier, and the gripping story has lead me to the rest of the series. Brubaker’s writing isn’t some gimmick. It’s some of the best mainstream superhero comic work I’ve ever read.