Athletes and coaches need to step up to prevent violence towards women

University of Virginia President John T. Casteen III spoke at a vigil held in memory of Yeardley Love.
Field lacrosse is supposed to be a gentleman's game. Referees can hand out penalties for swearing or, if they’re particularly strict, if anyone other than a team captain speaks to them.
In fact, one of the senior lacrosse referees in Ontario regularly admonishes athletes for swearing on the field by saying “Watch your language, I’m carrying a picture of my mother in my pocket.” He’s not afraid to hand out fouls for anything he deems to hurt the image of the game.
Sportsmanship toward opponents, officials and teammates is considered a prized characteristic in lacrosse players.
Unfortunately, this respect for the game doesn’t always translate to respectful or even legal behaviour off the field.
On Monday University of Virginia senior lacrosse player George Huguely was arrested and charged with first degree murder of Yeardley Love, a member of the school’s women’s lacrosse team.
According to news reports, the two had a relationship that recently ended. Huguely admitted in a search warrant affidavitissued to Charlottesville, Va., police that he and Love had an altercation and that he “shook Love and her head repeatedly hit the wall.”
It’s a shocking tragedy that has upset the community surrounding UVA. A young life has been snuffed out before it even really began.
This isn’t the first time that NCAA lacrosse has been rocked by controversy. In 2006 three members of Duke University’s team were accused of raping a black student from North Carolina Central University who was hired as a stripper at a party held at the house of one of the captains of the Blue Devils.
Although all charges were dropped against the three athletes, the messy affair created a firestorm around Duke’s campus and ignited racial tensions in North Carolina. The lives and reputations of many of the parties involved were ruined.
Obviously, the Duke scandal and the murder in Virginia are unrelated crimes that took place years apart and involve independent parties.
Still, they offer a sad commentary on the behaviour of varsity lacrosse players. Both incidents underscore the fact that many young men involved in athletics are violent, often towards women.
It’s not limited to lacrosse at the university level either. There have been many famous professional athletes accused of sexual assault including NBA superstar Kobe Bryant and, more recently, Ben Roethlisberger of the Pittsburgh Steelers.
Coaches, captains, athletic directors and anyone else in a position of authority on these teams have to start stepping up and teaching their athletes the importance of respect and discipline on and off the field.
The emphasis placed on sportsmanship and good conduct when playing lacrosse should also be applied to real life beyond the confines of competition. Yes, winning is important. Drive and determination are too. But being able to succeed on the field is even sweeter if it’s accomplished by a classy, respectful person off the field.
I’m not saying that coaches can control their athletes or single-handedly stop domestic abuse. Everyone involved with sports, at all levels, should re-double their efforts to breed a healthier attitude toward women.
That Ontario Lacrosse Association referee has the right idea - banning swearing may seem quaint, but encouraging a gentlemanly attitude in all facets of life is a worthwhile pursuit.
Sadly, there will likely always be violence in society. It will never be completely eradicated. But in an atmosphere like a varsity team where young athletes are being shaped into men, role models like coaches or senior players should still do their best to encourage healthy and respectful interactions.
None of this can reverse the tragic fate of Yeardley Love, but her memory can be honoured by the athletic community as it addresses this issue.
Free Comic Book Day 2010
As comic book fans across North America know, last Saturday was the annual Free Comic Book Day.
FCBD is an ingenious promotion that publishers and stores across the continent have developed to encourage new readers to try out comics and graphic novels.
It’s a simple concept: on the first Saturday in May most major comic book publishers release free copies of comics which the stores hand out to any and all customers. The idea is to get new patrons into the stores and to introduce older fans to new titles or creators.
Although I’m a big-time comic book nerd, this was my first experience with FCBD. I went to Paradise Comics, my Local Comic Store, and dragged my girlfriend Katy along.
Between the two of us we picked up six comics:
Boom! Studios – Irredeemable/Incorruptible double-sided: This was actually the last comic I picked from the spread. It just so happened that the Incorruptible cover was the one facing up on the table, and that’s what drew me in. Of course, Mark Waid’s story is great and as these are reprints of both series’ first issues, this was a perfect jump-on for new readers.
I’d read Irredeemable before, and think its concept of superhero-turned-ultimate-villain is fine. Certainly, Waid does an excellent job of building a sense of dread and terror as Superman-analog the Plutonian rampages around the world.
The only problem is that it’s been done before. Watchmen, the Dark Knight Returns, Rising Stars and the Squadron Supreme, amongst others, have broached these themes before. It’s not that Waid does it better or worse than these other titles, it’s just well-tred territory.
Incorruptible, however, is brilliant. It chronicles the reaction of supervillain Max Damage to the Plutonian’s berserker rage and his decision to prepare to fight the hero. I am hooked. I want more, and that’s what Free Comic Book Day is all about.
IDW – G.I. Joe #155 ½: I’m definitely a fan of G.I. Joe but this comic did nothing for me. The Joes themselves are only mentioned in one panel of the comic. Although there’s a great deal of action, the plot relies heavily on past storylines from earlier G.I. Joe comics.
I can see that some people might be intrigued by Cobra Commander’s scheme to take over the United States, but it seems like a very continuity-heavy book that could turn off new fans drawn in by the recent live-action movie.
Maerkle Press – Love and Capes #13: I’d heard good things about this comic from the Invincible Super-Blog and an interview with creator Thom Zahler on an episode of the War Rocket Ajax podcast.
As usual, Chris Sims and Eugene Ahn didn’t lead me astray. It was a fun, light-hearted read about the newly-married Crusader and his wife Abby as they adjust to their new life together.
The humorous vignettes of what it’d be like to be a married superhero were good for some laughs and Zahler’s artwork is clean and expressive.
Archie Comics - Archie’s Summer Splash #1: Written and illustrated by Dan Parent, this comic is exactly what you’d expect from the good folks at Archie. It’s a fun, one-and-done book centred around a minor social conflict between average American teenagers.
I appreciate that Archie Comics put out a brand new story for FCBD and one that can be easily understood by any new reader. I’m just sorry that it doesn’t really focus on the main four Riverdalians (Archie, Jughead, Betty and Veronica). Sure, they’re there, but they could have been anyone.
That said, that’s my only complaint. Parent strikes again, doing a solid job of writing and illustrating this story.
Marvel Comics - Iron Man/Nova: Along with the Incorruptible half of Boom’s efforts, this was the best comic I read on Saturday.
Specifically labelled as “Great for all ages”, this book is fun and easy for any fan to understand. Craig Rousseau’s artwork is very detailed while remaining light and easy on the eyes. Writer Paul Tobin squeezes a lot of exposition into the dialogue between Nova, Iron Man and Kate McMillan but manages to keep the plot moving.
I like the choice of heroes as well. Obviously, Iron Man’s inclusion serves as a tie-in to Iron Man 2 which comes out in just one week. Nova is an odder choice as he’s got a lower profile than most characters, but since he is going to be a member of the new Secret Avengers book coming out this month his inclusion also makes sense. Nova is also more accessible for younger readers, since he’s a college student, an everyman in the vein of Spider-Man.
Also, it features monkeys and apes. Who doesn’t love simians?
Marvel Comics - Iron Man/Thor: Inversely, this is the worst comic I picked up on Saturday.
In theory, it should’ve been great. As mentioned above, Iron Man has starred in a wildly popular movie with another one coming out in a few days. Thor’s movie is in production and is a cornerstone of the Marvel Universe. There’s a lot of buzz surrounding the characters.
Matt Fraction is one of the hottest scribes in the industry right now, writing the monthly Iron Man and Thor titles. Penciler John Romita Jr. is one of the best comic book artists ever, and a mainstay of Marvel comics. Again, you’d think a creative team like that would be a slam dunk.
Unfortunately, this story is confusing as all hell. Both characters are kind of jerks, not just to the villains but to each other as well. It’s hard to place when in continuity this happens and it ends on a puzzling note with Thor flying over a wrecked supertanker in the green fields surrounding Ayer’s Rock in Australia and Iron Man standing on the moon before a bunch of wreckage that includes a sign for Stark technology.
Not the kind of gateway to two monthly titles that Marvel was probably hoping for and a disappointment to fans familiar with the characters or creators of this issue.
Follow Friday – the Twitter Bullpen
Growing up I was fortunate to have access to my dad’s wonderful Silver Age collection of comics. Also, since I grew up in the 90s, I could pick up relatively cheap back issues from the medium’s second golden age, the 1980s.
As a result I’ve been exposed to some of the real magic of Marvel Comics. Obviously, the stories and artwork is the major draw of their library, but one of the really attractive things about these eras was the infamous Bullpen Bulletins.
In short, the Bulletins were a newsletter inserted into all of Marvel’s monthly titles that talked about the comings and goings of their roster of writers, artists and editors.
Really, it was an invention of editor-in-chief Stan Lee to promote new titles and new talent. The Bullpen Bulletins were always over-the-top and Barnum-esque but it was also entertaining and made you feel like you were right there with your favourite creators.
Marvel discontinued the feature in 2001, and I can’t say that I blame them. After all, the Bullpen itself had been dispersed by the advent of digital technology allowing a lot of freelancers to work from home.
Further, today’s creators are able to float between DC Comics, Marvel, Image, Dark Horse and other publishers, meaning that the esprit de corps that was at the heart of the Bulletins was seemingly at an end.
Twitter has rekindled that sense of camaraderie and taken it to the next level. Instead of getting to read monthly highlights of Bullpen sessions, comic book fans can now follow the jabs, jokes and work of all their favourite creators on a minute-by-minute basis.
The queen of the comics Twitter-verse has to be Gail Simone, the writer of Secret Six and Birds of Prey. She is one of the most active Tweeters out there. One of her regular “features” is to antagonize her fellow comic creators and hilarity often ensues.
Warren Ellis is the author of many books and magazine articles, but is also known for his comics work including Transmetropolitan, Nextwave, Planetary and Hellblazer. His Tweets are jovially cantankerous as he playfully abuses his followers.
A more light-hearted creator is Dan Slott, the current scribe of Spider-Man. He also penned a tragically short-lived run on the Mighty Avengers which recently concluded. He often discusses his writing process and things he loves about his job. It’s a fun read.
One of my favourite comic book writers is Kurt Busiek, the author of the brilliant creator-owned Astro City. He’s done a ton of other work for just about every comic publisher you can name. If you’ve never read it, his run on the Avengers with master illustrator George Perez is some of the best comics work ever.
Finally, there’s the duo of Ed Brubaker and Matt Fraction, who have turned the Marvel universe on its ear in the past few years.
Brubaker just finished an incredibly strong run on Daredevil and continues to pen Captain America. Fraction is the current mind behind the X-Men, Thor and the Invincible Iron Man. The two collaborated on the Immortal Iron Fist, a joy to read that ended too soon.
There are myriad other creators on Twitter, but these are a few of my preferred feeds. It’s fun and exciting to see the Bullpen continue on, at least in spirit, in the digital age. If you’re a fan of comics, you should try looking up your favourite writer and artist and get to know them just as Stan Lee once envisioned.
What’s the French for “I was wrong”?
Every morning I try to come up with a new idea to blog about. Sometimes I’ve already been turning an idea over in my head for a day or two, other times I have to spend hours scouring websites and watching various sports channels to try to come up with a good idea.
The challenge is coming up with an original angle, something to give my readers that is new and different. Often this means avoiding topics that the mainstream media is all over.
But how can I avoid talking about the Montreal Canadiens' incredible 2-1 Game Seven victory over the Washington Capitals last night?
I’m glad that I didn’t commit any kind of National Hockey League post-season because I would have never picked the Habs to better the Capitals. In fact, if anything, I would’ve picked top-seeded Washington to sweep Montreal right out of the playoffs.
I had figured that although the combination of Jose Theodore and Semyon Varlamov has been a shaky goalie-by-committee for the Caps all season, they were no worse than the netminder hydra of Carey Price and Jaroslav Halak.
Surely, Montreal’s pop-gun offence would’ve been no match for the Washington juggernaut. The Canadiens had no corresponding Mike Green. No Nicklas Backstrom or Alexander Semin. And Alex Ovechkin? He was several tiers above any forward the Habs have on their payroll.
Heck, months ago I claimed that general manager Bob Gainey’s sudden departure from the Habs would prove to be a distraction for the seemingly playoff-bound franchise.
Well, I’m not too proud to admit that I was wrong on all counts.
Halak, of course, was money for Montreal in the final games of the series. He stopped just about everything that came his way and stymied the league’s best offence.
Speaking of stopping shots – Hal Gill, Josh Gorges and especially Jaroslav Spacek put their bodies on the line shift after shift, cutting down passing lanes and blocking half of Washington’s chances.
All that defensive effort created tons of opportunities for Mike Cammalleri, Scott Gomez and Brian Gionta. Although all three are often maligned for being relatively short (Gionta is the shortest at 5’7”) they stood tall for the Canadiens and provided a crucial spark for the Habs.
Now Montreal is taking on the Pittsburgh Penguins, the defending Stanley Cup champions, and again they’re big underdogs. I want to count them out again, say that there’s no way that their sound defensive system can create back-to-back upset.
But hey, I’ve been wrong before.
Still rocking my khakis with a cuff and a crease
I’m young enough that my musical tastes, such as they are, really developed in the Age of Napster. Sure, I had one or two tapes and a few dozen CDs, but I really became a fully-formed listener by downloading songs one at a time.
As a result, I’m generally disinterested in the full album experience. I prefer a mix tape over an EP.
However, one of the few exceptions is Dr. Dre’s classic The Chronic: 2001.
Released in 1999, this album was heralded by the hit single “Still D.R.E.” which proudly proclaimed that the former producer of N.W.A. was back and hungry to prove that he was still the best.
A follow-up to 1992’s The Chronic, 2001 has a similar format to its predecessor. All the beats are composed by Dre, with a host of guest appearances from his stable of rapping protégés and occasional appearances by the man himself.
Dre pulled together an impressive roster of friends for this opus: West Coast rap stalwarts Snoop Dogg and Nate Dogg return, along with former N.W.A. member MC Ren. The Chronic: 2001 also introduces younger rappers headlined by Xzibit and Eminem.
“Still D.R.E.” and “Forgot about Dre”, the second single from the album, are indicative of the album’s main theme about the good Doctor’s status in the music industry.
Like the rest of the album, he’s trying to reconcile his reputation, his violent image from a decade ago and the reality of being a multi-millionaire who no longer lives on the infamous streets of Compton, California on these tracks.
As Dre said himself in an interview with the New York Times:
“For the last couple of years, there's been a lot of talk out on the streets about whether or not I can still hold my own, whether or not I'm still good at producing,” he said just before 2001 was released. “That was the ultimate motivation for me. Magazines, word of mouth and rap tabloids were saying I didn't have it any more.”
“What more do I need to do? How many platinum records have I made? O.K., here's the album -- now what do you have to say?”
In the same interview he explains how he saw the unfolding of the album to be like a movie following a plotline.
That story arch is apparent from the very first track “Lolo” when Xzibit and Tray-Dee are shocked to see Dr. Dre appear at a local hangout in a brand new lowered car.
The second track is a soliloquy by Dre called “the Watcher” about all the things he’s seen in his career. The next four tracks follow a similar subject, with Dre and some of his older associates reminding the listener of their past exploits and successes.
“What’s the Difference” serves as a turning point in the album, as rookies Xzibit and Eminem take up Dre’s cause and talk about how he’s shaped their careers.
Once he’s re-established himself as a force in the music industry again, the rest of the album talks about moving forward (“The Next Episode”) and revelling in all of Dre’s new success.
No one can doubt Dr. Dre’s chops as a producer. He’s proven himself time and time again. But the Chronic: 2001 should be admired not just for its music but the clever way he uses lyrics and guest appearances to express his frustration with all of the premature claims of his decease as a viable music artist.
It’s a creative use of rap’s braggadocio lyrical style that can be enjoyed again and again.
You’re bringing me down, ARod

This photo of Alex Rodriguez has nothing to do with Thursday's game against the Oakland Athletics. It's just funny.
Yesterday I tried to be sunny and say three nice things about Major League Baseball. It took less than 24 hours for Alex Rodriguez to bring me back down with his bush league play.
In case you missed it, Yahoo Sports’ Big League Stew summed it up well:
“In the sixth inning of the A's 4-2 victory, Rodriguez went from first to third on a foul ball by Robinson Cano. His trip back to first took him right over the pitcher's mound, an unspoken no-no that ticked [starting pitcher Dallas] Braden off right away.
After a double play ended the inning, the 26-year-old pitcher immediately started yelling at A-Rod — watch it here — who claimed he didn't know he had done anything wrong.”
This isn’t the first time that ARod has broken one of baseball’s unwritten codes. We’ll ignore his admitted steroid use and focus on his transgressions against the game’s etiquette.
My first exposure to Rodriguez’s classless brand of play was during the infamous 2004 American League Championship Series with his New York Yankees leading the series against the Boston Red Sox 3-0. On a routine groundout to the pitcher ARod decided to chop the ball out of Bronson Arroyo’s hand. After some deliberation the umpires ruled him out.
It became a turning point in the series with the Red Sox rallying to an improbable seven-game series victory.
Three seasons later, Rodriguez got into the same kind of shenanigans at Toronto’s Rogers Centre. During an infield fly Rodriguez, circling rounding third, yelled right behind the rookie infielder who had called for the ball. Believing that he was being called off by another Blue Jay, the fielder let the ball fall harmlessly to the ground, allowing the Yankees to score.
Asked about the incident, ARod claimed that he had only yelled in celebration.
My problem with ARod isn’t so much what he does, but how he handles the ensuing criticism. He refuses to accept responsibility.
I don’t mind there being a heel in baseball. In fact, I think it’s one of the best things about Barry Bonds’ entire career. I didn’t like the former Giants slugger, but I could at least admire his willingness to be the villain.
Instead, of Bonds’ unique sense of personal responsibility, we get Rodriguez saying this in reaction to Braden’s blow-up: “He just told me to get off his mound. I was a little surprised. I'd never quite heard that. Especially from a guy that has a handful of wins in his career ... I thought it was pretty funny actually.”
I see ARod’s flaunting of baseball’s social conventions as something akin to taking a run at a goaltender in hockey or flagrantly fouling a star player in basketball. You can do it, but don’t act surprised when they’re upset.
Don’t dismiss their complaints because you have a higher batting average or get more lucrative endorsement deals. Appreciate that if you lack respect for your opponents they’re going to disrespect you. Expect some sort of retribution and take your lumps.




