Peter Schilling Jr. came up with a fascinating what-if scenario for his novel The End of Baseball: what if famed baseball owner and promoter Bill Veeck purchased the Philadelphia Athletics and filled its roster with the stars of the Negro leagues in 1941?
It’s a tantalizing prospect. Satchel Paige, Josh Gibson, Cool Papa Bell and other greats shattering segregation and theoretically playing the best baseball ever.
Unfortunately, Schilling over-reaches and the final product is disappointing. The sprawling narrative just has too much going on, with too many characters for the reader to keep track of.
Focusing on Paige, Gibson, Veeck and perhaps three or four other characters should’ve been enough – the drama of integrating baseball during World War Two is a novel in itself – but Schiller had lengthy sections on supporting players like pitcher Dave Barnhill and Artie Wilson.
At first it’s fun when characters like all-round all-star Martin Dihigo, gossip columnist Walter Winchell, FBI head J. Edgar Hoover and the Sporting News founder Alfred Spink are inserted into the plot, but eventually they clutter up the story and distract from the main plot of the Athletics' struggle to win the American League pennant.
There’s no doubt that Schilling is an excellent storyteller. As a professional journalist he’s covered baseball for the Minnesota City Pages and he’s worked as a film critic for Rake Magazine and the Minneapolis Star-Tribune.
He has a deft touch chapter by chapter. None of the scenes fall flat, and the descriptions of the baseball games themselves are richly drawn, building tension for the reader with each swing of a bat or cold stare.
Schilling also certainly know his history. Literally every player on the team was a star in his day, and bringing all their personal histories together on to one team is a treat.
Unfortunately, the busy narrative is just unavoidable. Beyond the central plot of the A’s season, there are no less than six subplots. Coupled with asides and vignettes designed to add to those seven storylines, and it’s easy to get lost.
At 337 pages, there’s just not enough room for all these characters. By trimming the fat, Schilling would’ve had a stronger novel.
Peter Schilling Jr.’s The End of Baseball was, by moments, a fun read. It’s got a solid premise to build off of and from chapter to chapter is enjoyable. Unfortunately, the central storyline gets lost in a tangle of plot threads. Maybe worth reading if you’ve exhausted all other sports-related options.
You can read more about this book at Schilling’s website, including a free sample and reviews by other critics.
I was wandering through my local library when I saw the name “Satchel Paige” on the spine of a graphic novel and was immediately intrigued. The legendary pitcher has always interested me and I wanted to learn more. Even though it was written for young adults I borrowed it, figuring it was worth a look.
It turns out that I’d picked a fantastic piece of work by independent comic stars James Sturm and Rich Tommaso. In their hands the plight of African American sharecroppers in the Jim Crow south and the magic of Satchel Paige comes to life.
If you’re not familiar with Paige, then you’re missing out on a nearly mythical figure in American history.
Argued by some as the greatest pitcher of all time, Paige claimed that he had pitched in 2,500 games and won 80% of them. Of course, his claims can’t be verified since, as an African American, he couldn’t play in the major leagues until Jackie Robinson had broken the colour barriers, and Paige was in his 40s. Baseball historians have since confirmed that he won at least 291 games between various leagues across the United States and Carribbean.
Tomasso uses sepia tones picked out with heavy black ink to render the tale of Emmet Wilson, his son Emmet Jr. and, of course, the legendary Paige. His style is reminiscent of children’s illustrators of the 40s and 50s like H.A. Rey of Curious George fame or Ezra Jack Keats’ Snowy Day.
Relying on a straight forward six panel frame for most of his pages, Tomasso’s art is well-paced. In particular, the baseball games are very exciting and are a nice mix of extreme close-ups, expansive double-wide panels and reaction shots. (Click here to read the first ten pages online)
At first, Tommaso’s plain, two-toned artwork seems too simple for the subject matter. However, he handles graphic images like the lynching of a sharecropper with great sensitivity. Tomasso deservedly won an Eisner Award in 2008 for his work on the book.
Sturm’s script draws the reader in and creates a real sense of tension, particularly surrounding the menacing Jennings twins who seem capable of anything.
He also does a good job of differentiating between the latent racism of Southern society represented by segregated baseball fields or the paternalistic Mr. Jennings and the blatant hatred of his twin boys who engage in violent hate crimes.
Most impressively, Sturm handles the enigmatic Paige with a rare touch that maintains his mystique while making him into an early champion of racial toleration. The penultimate scene where Paige faces down the bigotry of the Jennings brothers is a slow, simmering burn that the reader can savour.
The Center for Cartoon Studies commissioned this book, and they deserve full credit for putting together a wonderful package that includes online resources like samples of Tomasso’s draft work and other tools for teachers. Of course, they also put the Sturm-Tomasso tandem together which is what makes the book great.
Although geared towards adolescents, Satchel Paige: Striking Out Jim Crow is an enjoyable, light read that doesn’t shy away from some tough subjects. Sturm and Tommaso are deft storytellers that express a myriad of emotions with minimal words and art.